Matinée des Jeunes Etoiles III – Metamorphosis ID:
Chamber Music
Saturday, 02. August 2025
10:30 a.m., Gstaad Chapel
6 p.m., Abländschen Church
For anyone who still thinks of the recorder as just an instrument that tests parents’ patience with their children’s first musical attempts, a visit to the Gstaad Chapel or the Abländschen Church on Saturday, August 2nd, is a must! The young Dutch virtuoso Lucie Horsch will reveal just how rich and captivating this instrument can be. Her programme takes us on a musical journey from the Flemish Renaissance to daring contemporary works, including the brilliant Partita by Johann Sebastian Bach and Claude Debussy’s iconic Syrinx. A performance full of surprises and musical wonder!
Konzert-Patronat Kirche Abländschen:
HOTEL BERNERHOF, GSTAAD
HOTEL BERNERHOF, GSTAAD
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'description': '<p>For anyone who still thinks of the recorder as just an '
'instrument that tests parents’ patience with their '
'children’s first musical attempts, a visit to the '
'Gstaad Chapel or the Abländschen Church on Saturday, '
'August 2nd, is a must! The young Dutch virtuoso Lucie Horsch '
'will reveal just how rich and captivating this instrument can '
'be. Her programme takes us on a musical journey from the '
'Flemish Renaissance to daring contemporary works, including '
'the brilliant Partita by Johann Sebastian Bach and '
'Claude Debussy’s iconic Syrinx. A performance full '
'of surprises and musical wonder!</p>',
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'\t<tbody>\r\n'
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'\t\t\t<td colspan="2"><strong>Jacob van Eyck</strong> '
'(1590–1657)</td>\r\n'
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'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Daphne”</td>\r\n'
'\t\t\t<td style="text-align:right;">4'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Georg Philipp Telemann</strong> '
'(1681–1767)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Fantasy No. 1, TWV 40:2</td>\r\n'
'\t\t\t<td style="text-align:right;">5'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>György '
'Kurtág</strong> (1926)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Sappho Fragment” from “Signs, '
'Games and Messages”</td>\r\n'
'\t\t\t<td style="text-align:right;">2'</td>\r\n'
'\t\t</tr>\r\n'
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'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Claude Debussy</strong> '
'(1862–1918)</td>\r\n'
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'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Syrinx”</td>\r\n'
'\t\t\t<td style="text-align:right;">4'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Benjamin Britten</strong> '
'(1913–1976)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Pan” aus “6 Metamorphoses after '
'Ovid”</td>\r\n'
'\t\t\t<td style="text-align:right;">2'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Igor Strawinsky</strong> '
'(1882–1971)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Piece No. 1 from “3 Pieces for Solo '
'Clarinet”</td>\r\n'
'\t\t\t<td style="text-align:right;">2'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Johann Sebastian Bach</strong> '
'(1685–1750)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Partita for Solo Flute, BWV 1013</td>\r\n'
'\t\t\t<td style="text-align:right;">12'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Jacob van Eyck</strong> '
'(1590–1657)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Engels Nachtegaeltje” [English '
'Nightingale]</td>\r\n'
'\t\t\t<td style="text-align:right;">3'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Luciano Berio</strong> '
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'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Gesti”, Sequenza for Recorder</td>\r\n'
'\t\t\t<td style="text-align:right;">5'</td>\r\n'
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'\t\t\t<td>Fantasy No. 7 “alla francese”, TWV '
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'\t\t\t<td style="text-align:right;">5'</td>\r\n'
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'\t\t\t<td colspan="2"><strong>Isang Yun</strong> '
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'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“The Actor with the Monkey” from '
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'\t\t\t<td colspan="2"><strong>Louis Andriessen</strong> '
'(1939–2021)</td>\r\n'
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'\t\t\t<td>“Ende” for one player and 2 '
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'\t\t\t<td style="text-align:right;"><b>60'</b></td>\r\n'
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Lucie Horsch, Recorder
| Jacob van Eyck (1590–1657) | |
| “Daphne” | 4' |
| Georg Philipp Telemann (1681–1767) | |
| Fantasy No. 1, TWV 40:2 | 5' |
| György Kurtág (1926) | |
| “Sappho Fragment” from “Signs, Games and Messages” | 2' |
| Claude Debussy (1862–1918) | |
| “Syrinx” | 4' |
| Benjamin Britten (1913–1976) | |
| “Pan” aus “6 Metamorphoses after Ovid” | 2' |
| Igor Strawinsky (1882–1971) | |
| Piece No. 1 from “3 Pieces for Solo Clarinet” | 2' |
| Johann Sebastian Bach (1685–1750) | |
| Partita for Solo Flute, BWV 1013 | 12' |
| Jacob van Eyck (1590–1657) | |
| “Engels Nachtegaeltje” [English Nightingale] | 3' |
| Luciano Berio (1925–2003) | |
| “Gesti”, Sequenza for Recorder | 5' |
| Georg Philipp Telemann (1681–1767) | |
| Fantasy No. 7 “alla francese”, TWV 40:8 | 5' |
| Isang Yun (1917–1995) | |
| “The Actor with the Monkey” from “Chinese Pictures” | 4' |
| Louis Andriessen (1939–2021) | |
| “Ende” for one player and 2 recorders | 2' |
| 60' | |
CHF 30