Inner Ear – Inner Emigration I ID:
Chamber Music
Thursday, 31. July 2025
7:30 p.m., Church Saanen
The Icelandic pianist Víkingur Ólafsson, the rising star of the piano world, combines relentless energy with boundless creativity – exactly what it takes to master the tidal waves of notes before him. Works like Beethoven’s Opus 109 break free from the constraints of the “traditional” sonata form, following that unmistakable “inner voice” that defines the composer’s late masterpieces and makes them profoundly visionary. Then, in early February, the moment finally arrived: In Los Angeles, he won his first Grammy for the monumental recording of Johann Sebastian Bach’s Goldberg Variations, released by Deutsche Grammophon. “I’ve dreamed of recording this masterpiece for 25 years”, said the Icelandic pianist.
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'description': '<p>The Icelandic pianist Víkingur Ólafsson, the '
'rising star of the piano world, combines relentless energy '
'with boundless creativity – exactly what it takes '
'to master the tidal waves of notes before him. Works like '
'Beethoven’s Opus 109 break free from the constraints of '
'the “traditional” sonata form, following that '
'unmistakable “inner voice” that defines the '
'composer’s late masterpieces and makes them profoundly '
'visionary. Then, in early February, the moment finally '
'arrived: In Los Angeles, he won his first Grammy for the '
'monumental recording of Johann Sebastian '
'Bach’s Goldberg Variations, released by Deutsche '
'Grammophon. “I’ve dreamed of recording this '
'masterpiece for 25 years”, said the Icelandic '
'pianist.</p>',
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'\t<tbody>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Johann Sebastian Bach</strong> '
'(1685–1750)</td>\r\n'
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'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Prelude and Fugue in E Major, BWV 854, from '
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'\t\t\t<td>3'</td>\r\n'
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'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
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'(1770–1827)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Piano Sonata No. 27 in E Minor, Op. 90</td>\r\n'
'\t\t\t<td>15'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Johann Sebastian Bach</strong> '
'(1685–1750)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Partita No. 6 in E Minor, BWV 830</td>\r\n'
'\t\t\t<td style="text-align:right;">35'</td>\r\n'
'\t\t</tr>\r\n'
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'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Franz Schubert</strong> '
'(1797–1828)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Piano Sonata No. 7 in E Minor, D 566</td>\r\n'
'\t\t\t<td>20'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Ludwig van Beethoven</strong> '
'(1770–1827)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Piano Sonata No. 30 in E Major, Op. 109</td>\r\n'
'\t\t\t<td style="text-align:right;">20'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowTotal">\r\n'
'\t\t\t<td> </td>\r\n'
'\t\t\t<td style="text-align:right;"><strong>80' '
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'\t</tbody>\r\n'
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'title': 'Inner Ear – Inner Emigration I',
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Víkingur Ólafsson, Piano
| Johann Sebastian Bach (1685–1750) | |
| Prelude and Fugue in E Major, BWV 854, from “The Well-Tempered Clavier” | 3' |
| Ludwig van Beethoven (1770–1827) | |
| Piano Sonata No. 27 in E Minor, Op. 90 | 15' |
| Johann Sebastian Bach (1685–1750) | |
| Partita No. 6 in E Minor, BWV 830 | 35' |
| Franz Schubert (1797–1828) | |
| Piano Sonata No. 7 in E Minor, D 566 | 20' |
| Ludwig van Beethoven (1770–1827) | |
| Piano Sonata No. 30 in E Major, Op. 109 | 20' |
| 80' | |
CHF 130/110/70/40