Edna Unseld ID:
Rezital
Next Generation
Saturday, 05. September 2026
11:30 a.m., Gstaad Chapel
At the start of her career, she was given the honour of playing on Anne-Sophie Mutter’s child’s violin – a symbol of remarkable significance. For her Gstaad debut, the young Swiss Edna Unseld has chosen three French “hits” from the violin repertoire – pieces of the utmost refinement, where sheer virtuosity alone is never enough! What they demand instead is imagination of sound, depth of expression, and the full spectrum of colours the violin is capable of revealing.
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'playing on Anne-Sophie Mutter’s child’s violin '
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'debut, the young Swiss Edna Unseld has chosen three French '
'“hits” from the violin repertoire '
'– pieces of the utmost refinement, where sheer '
'virtuosity alone is never enough! What they demand instead is '
'imagination of sound, depth of expression, and the full '
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'\t\t\t<td colspan="2"><strong>Maurice Ravel</strong> '
'(1875–1937)</td>\r\n'
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'\t\t\t<td>“Tzigane”, Concert Rhapsody for Violin '
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'\t\t\t<td>Carmen Fantasie (1947)</td>\r\n'
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Edna Unseld, Violin
Kateryna Tereshchenko, Piano
| Maurice Ravel (1875–1937) | |
| “Tzigane”, Concert Rhapsody for Violin and Piano | 10' |
| César Franck (1822–1890) | |
| Violin Sonata in in A Major, FWV 8 | 30' |
| Franz Waxman (1906–1967) | |
| Carmen Fantasie (1947) | 10' |
| 50' | |
CHF 30