Sira Pellicer & Dmitry Batalov ID:
Rezital
Saturday, 29. August 2026
10:30 a.m., Gstaad Chapel
A vibrant meeting of South and East: a saxophonist from sun-drenched Valencia and a pianist from pulsating Moscow. Their musical paths converged in the heart of Switzerland, where both refine their artistry at renowned institutions – Sira Pellicer at the Zurich University of the Arts under Lars Mlekusch, and Dmitry Batalov at the Basel Music Academy in the class of Claudio Martínez Mehner.
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'description': '<p>A vibrant meeting of South and East: a saxophonist from '
'sun-drenched Valencia and a pianist from pulsating Moscow. '
'Their musical paths converged in the heart of Switzerland, '
'where both refine their artistry at renowned institutions '
'– Sira Pellicer at the Zurich University of the Arts '
'under Lars Mlekusch, and Dmitry Batalov at the Basel Music '
'Academy in the class of Claudio Martínez Mehner.</p>',
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'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Manuel de Falla</strong> '
'(1876–1946)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Siete canciones populares españolas [Seven '
'Spanish Folksongs] (originally composed for voice and '
'piano) (1914)</td>\r\n'
'\t\t\t<td style="text-align:right;">12'</td>\r\n'
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'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
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'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Sampo Haapamäki</strong> '
'(1979)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Avenue” for Alto Saxophone and Piano '
'(2000)</td>\r\n'
'\t\t\t<td style="text-align:right;">9'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Erwin Schulhoff</strong> '
'(1894–1942)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Hot Sonata” for Alto Saxophone and Piano '
'(1930)</td>\r\n'
'\t\t\t<td style="text-align:right;">15'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>William Albright</strong> '
'(1944–1998)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Sonata for Alto Saxophone and Piano (1984)</td>\r\n'
'\t\t\t<td style="text-align:right;">18'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowTotal">\r\n'
'\t\t\t<td> </td>\r\n'
'\t\t\t<td style="text-align:right;"><strong>60' '
'</strong></td>\r\n'
'\t\t</tr>\r\n'
'\t</tbody>\r\n'
'</table>'],
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Sira Pellicer, Saxophone
- Preisträgerin Kiefer Hablitzel | Göhner Musikpreis 2025
Dmitry Batalov, Piano
- Preisträgerin Kiefer Hablitzel | Göhner Musikpreis 2025
| Manuel de Falla (1876–1946) | |
| Siete canciones populares españolas [Seven Spanish Folksongs] (originally composed for voice and piano) (1914) | 12' |
| Sampo Haapamäki (1979) | |
| “Avenue” for Alto Saxophone and Piano (2000) | 9' |
| Erwin Schulhoff (1894–1942) | |
| “Hot Sonata” for Alto Saxophone and Piano (1930) | 15' |
| William Albright (1944–1998) | |
| Sonata for Alto Saxophone and Piano (1984) | 18' |
| 60' | |