Marie Sophie Hauzel ID:
Rezital
Next Generation
Thursday, 20. August 2026
7:30 p.m., Church Gsteig
Marie Sophie Hauzel was already at the piano at the age of four and was accepted into the Mozarteum University Salzburg at just eight years old. For her Festival debut, she has curated a programme as subtle as it is spellbinding: she sets the Hungarian fire of Liszt and Bartók in dialogue with the Argentine passion of Ginastera – a perfect fusion of vivid colour and virtuosity.
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'four and was accepted into the Mozarteum University Salzburg '
'at just eight years old. For her Festival debut, she has '
'curated a programme as subtle as it is spellbinding: she sets '
'the Hungarian fire of Liszt and Bartók in dialogue '
'with the Argentine passion of Ginastera – a perfect '
'fusion of vivid colour and virtuosity.</p>',
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'\t<tbody>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Franz Liszt</strong> '
'(1811–1886)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Funérailles” from the '
'“Harmonies poétiques et religieuses”, S. 173 '
'No. 7 (1849)</td>\r\n'
'\t\t\t<td style="text-align:right;">12'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Béla '
'Bartók</strong> (1881–1945)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>2 Elegies, Sz. 41, Op. 8b (1909)</td>\r\n'
'\t\t\t<td style="text-align:right;">15'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Franz Liszt '
'</strong>(1811–1886) <strong>/ Richard '
'Wagner </strong>(1813–1883)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Isoldes Liebestod” [Isolde's Love '
'Death] from the opera “Tristan und Isolde”, S. 447 '
'(1868)</td>\r\n'
'\t\t\t<td style="text-align:right;">8'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Ballade No. 2, Sz. 171 (1853)</td>\r\n'
'\t\t\t<td style="text-align:right;">15'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Alberto Ginastera</strong> '
'(1916–1983)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Danza de la moza donosa” [Dance of the '
'graceful girl] from the “3 Danzas Argentinas”, Op. '
'2 No. 2 (1937)</td>\r\n'
'\t\t\t<td style="text-align:right;">4'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Piano Sonata No. 2, Op. 53</td>\r\n'
'\t\t\t<td style="text-align:right;">12'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowTotal">\r\n'
'\t\t\t<td> </td>\r\n'
'\t\t\t<td style="text-align:right;"><strong>70' '
'</strong></td>\r\n'
'\t\t</tr>\r\n'
'\t</tbody>\r\n'
'</table>'],
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Marie Sophie Hauzel, Piano
| Franz Liszt (1811–1886) | |
| “Funérailles” from the “Harmonies poétiques et religieuses”, S. 173 No. 7 (1849) | 12' |
| Béla Bartók (1881–1945) | |
| 2 Elegies, Sz. 41, Op. 8b (1909) | 15' |
| Franz Liszt (1811–1886) / Richard Wagner (1813–1883) | |
| “Isoldes Liebestod” [Isolde's Love Death] from the opera “Tristan und Isolde”, S. 447 (1868) | 8' |
| Ballade No. 2, Sz. 171 (1853) | 15' |
| Alberto Ginastera (1916–1983) | |
| “Danza de la moza donosa” [Dance of the graceful girl] from the “3 Danzas Argentinas”, Op. 2 No. 2 (1937) | 4' |
| Piano Sonata No. 2, Op. 53 | 12' |
| 70' | |
CHF 85/60/40