Hayato Sumino ID:
Rezital
Next Generation
Monday, 10. August 2026
7:30 p.m., Church Saanen
Following in the footsteps of Pallavi Mahidhara, Alexandra Dovgan, Kate Liu, and Yunchan Lim, Hayato Sumino now takes his place in golden letters on the illustrious Olivier Berggruen Prize roll of honour. Known to millions of fans as “Cateen” through his captivating social media presence, the Japanese pianist has become a true phenomenon on the international music stage. Above all, he is an exceptionally compelling and thrilling musician.
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'name': 'Hayato Sumino',
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'description': '<p>Following in the footsteps of Pallavi Mahidhara, Alexandra '
'Dovgan, Kate Liu, and Yunchan Lim, Hayato Sumino now takes '
'his place in golden letters on the illustrious Olivier '
'Berggruen Prize roll of honour. Known to millions of fans as '
'“Cateen” through his captivating social media '
'presence, the Japanese pianist has become a true phenomenon '
'on the international music stage. Above all, he is an '
'exceptionally compelling and thrilling musician.</p>',
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'hints': 'CHF 130/110/70/40',
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'main_start_date': datetime.datetime(2026, 8, 10, 19, 30, tzinfo=datetime.timezone(datetime.timedelta(seconds=7200))),
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'\t<tbody>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Frédéric '
'Chopin</strong> (1810–1849)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Scherzo No. 1 in B Minor, Op. 20</td>\r\n'
'\t\t\t<td style="text-align:right;">8'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Etude Op. 25 No. 1 “Aeolian Harp”</td>\r\n'
'\t\t\t<td style="text-align:right;">3'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Hayato Sumino</strong> '
'(1995)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Lydian Harp”</td>\r\n'
'\t\t\t<td style="text-align:right;">3'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Post Rain”, Improvisation on '
'Chopin's “Raindrop Prelude”, Op. 28 No. '
'15</td>\r\n'
'\t\t\t<td style="text-align:right;">5'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Frédéric '
'Chopin</strong> (1810–1849)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Piano Sonata No. 2 in B-flat Minor, Op. 35</td>\r\n'
'\t\t\t<td style="text-align:right;">19'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Camille Saint-Saëns</strong> '
'(1835–1921)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Danse macabre”, Op. 40</td>\r\n'
'\t\t\t<td style="text-align:right;">8'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Frédéric '
'Chopin</strong> (1810–1849)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>3 Mazurkas, Op. 59</td>\r\n'
'\t\t\t<td style="text-align:right;">10'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Thomas Adès</strong> '
'(1971)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Mazurka Op. 27 No. 2</td>\r\n'
'\t\t\t<td style="text-align:right;">12'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Frédéric '
'Chopin</strong> (1810–1849)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Etude Op. 10 No. 5 “Black Keys”</td>\r\n'
'\t\t\t<td style="text-align:right;">2'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Hayato Sumino</strong> '
'(1995)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“White Keys”</td>\r\n'
'\t\t\t<td style="text-align:right;">3'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Imaginary Polonaise”</td>\r\n'
'\t\t\t<td style="text-align:right;">7'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Improvisation on the Ostinato of Chopin's '
'Berceuse Op. 57</td>\r\n'
'\t\t\t<td style="text-align:right;">5'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Frédéric '
'Chopin</strong> (1810–1849)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Etude Op. 25 No. 11 “Winter Wind”</td>\r\n'
'\t\t\t<td style="text-align:right;">3'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Igor Strawinsky</strong> '
'(1882–1971)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>from “The Firebird” (highlights arr. by '
'Guido Agosti): Danse infernale Berceuse Finale</td>\r\n'
'\t\t\t<td style="text-align:right;">12'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowTotal">\r\n'
'\t\t\t<td> </td>\r\n'
'\t\t\t<td style="text-align:right;"><strong>130' '
'</strong>(interval included)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td>Awarding of the<strong> 5th Olivier Berggruen '
'Prize</strong></td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t</tbody>\r\n'
'</table>'],
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'title': 'Hayato Sumino',
'title2': 'Rezital',
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Hayato Sumino, Piano
- Olivier Berggruen Prize 2026
| Frédéric Chopin (1810–1849) | |
| Scherzo No. 1 in B Minor, Op. 20 | 8' |
| Etude Op. 25 No. 1 “Aeolian Harp” | 3' |
| Hayato Sumino (1995) | |
| “Lydian Harp” | 3' |
| “Post Rain”, Improvisation on Chopin's “Raindrop Prelude”, Op. 28 No. 15 | 5' |
| Frédéric Chopin (1810–1849) | |
| Piano Sonata No. 2 in B-flat Minor, Op. 35 | 19' |
| Camille Saint-Saëns (1835–1921) | |
| “Danse macabre”, Op. 40 | 8' |
| Frédéric Chopin (1810–1849) | |
| 3 Mazurkas, Op. 59 | 10' |
| Thomas Adès (1971) | |
| Mazurka Op. 27 No. 2 | 12' |
| Frédéric Chopin (1810–1849) | |
| Etude Op. 10 No. 5 “Black Keys” | 2' |
| Hayato Sumino (1995) | |
| “White Keys” | 3' |
| “Imaginary Polonaise” | 7' |
| Improvisation on the Ostinato of Chopin's Berceuse Op. 57 | 5' |
| Frédéric Chopin (1810–1849) | |
| Etude Op. 25 No. 11 “Winter Wind” | 3' |
| Igor Strawinsky (1882–1971) | |
| from “The Firebird” (highlights arr. by Guido Agosti): Danse infernale Berceuse Finale | 12' |
| 130' (interval included) | |
| Awarding of the 5th Olivier Berggruen Prize | |
CHF 130/110/70/40