Gabriela Montero ID:
Rezital
Wednesday, 29. July 2026
7:30 p.m., Church Saanen
She is widely regarded as the queen of “classical” improvisation. Venezuelan pianist Gabriela Montero invites us on a musical journey to the south. Conceived as a subtle ode to freedom, the programme intertwines Montero’s extraordinary “freestyle” artistry with sound worlds shaped by the spirit of Spain. Whether authentically Iberian or – like Liszt’s fervently passionate Rhapsody – freely inspired by Spain’s colours and temperament, this concert promises fire, imagination, and boundless expressive power.
A FRIEND OF THE FESTIVAL
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'description': '<p>She is widely regarded as the queen of '
'“classical” improvisation. Venezuelan pianist '
'Gabriela Montero invites us on a musical journey to the '
'south. Conceived as a subtle ode to freedom, the programme '
'intertwines Montero’s extraordinary '
'“freestyle” artistry with sound worlds shaped by '
'the spirit of Spain. Whether authentically Iberian or – '
'like Liszt’s fervently passionate Rhapsody '
'– freely inspired by Spain’s colours and '
'temperament, this concert promises fire, imagination, and '
'boundless expressive power.</p>',
'event_id': 9089,
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'main_location': 'Church Saanen',
'main_start_date': datetime.datetime(2026, 7, 29, 19, 30, tzinfo=datetime.timezone(datetime.timedelta(seconds=7200))),
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'programs': ['<table class="program442hz">\r\n'
'\t<tbody>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td><em>“Freestyle” </em></td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Domenico Scarlatti</strong> '
'(1685–1757)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Piano Sonata in C-sharp Minor, K. 247 L. 256 '
'(1753)</td>\r\n'
'\t\t\t<td style="text-align:right;">5'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Padre Antonio Soler</strong> '
'(1729–1783)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Piano Sonata in C-sharp Minor, R. 21</td>\r\n'
'\t\t\t<td style="text-align:right;">6'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Piano Sonata in G Major, R. 45</td>\r\n'
'\t\t\t<td style="text-align:right;">4'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Domenico Scarlatti</strong> '
'(1685–1757)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Piano Sonata in G Major, K. 447 L. 294 (1775)</td>\r\n'
'\t\t\t<td style="text-align:right;">3'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Frédéric '
'Chopin</strong> (1810–1849)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Scherzo No. 3 in C-sharp Minor, Op. 39 (1839)</td>\r\n'
'\t\t\t<td style="text-align:right;">8'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Enrique Granados</strong> '
'(1867–1916)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>8 “Valses poeticos” [Poetic Waltzes] '
'(1887)</td>\r\n'
'\t\t\t<td style="text-align:right;">12'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Isaac Albéniz</strong> '
'(1860–1909)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Triana” from the piano suite '
'“Iberia” (Book II – No. 3) (1907)</td>\r\n'
'\t\t\t<td style="text-align:right;">5'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2">---</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Isaac Albéniz</strong> '
'(1860–1909)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Sevilla” from the “Suite '
'española” [Spanish Suite], Op. 37 (No. 3) '
'(1886)</td>\r\n'
'\t\t\t<td style="text-align:right;">5'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Frédéric '
'Chopin</strong> (1810–1849)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Boléro in A Minor, Op. 19 (1833)</td>\r\n'
'\t\t\t<td style="text-align:right;">8'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Alicia de Larrocha</strong> '
'(1923–2009)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Sueño infantil” [Childhood '
'Dream]</td>\r\n'
'\t\t\t<td style="text-align:right;">2'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Minué triste” [Sad '
'Minuet]</td>\r\n'
'\t\t\t<td style="text-align:right;">1'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Federico Mompou</strong> '
'(1893–1987)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Cançó i dansa” [Songs and '
'Dances] No. 6 (1941)</td>\r\n'
'\t\t\t<td style="text-align:right;">4'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Isaac Albéniz</strong> '
'(1860–1909)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Eritaña” from the piano suite '
'“Iberia” (Book IV – No. 3) (1909)</td>\r\n'
'\t\t\t<td style="text-align:right;">6'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Enrique Granados</strong> '
'(1867–1916)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Andaluza” from the 12 “Danzas '
'españolas” [Spanish Dances], Op. 37 (No. 5) (ca. '
'1890)</td>\r\n'
'\t\t\t<td style="text-align:right;">12'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Franz Liszt</strong> '
'(1811–1886)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Spanish Rhapsody, S. 254 (1863)</td>\r\n'
'\t\t\t<td style="text-align:right;">13'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowTotal">\r\n'
'\t\t\t<td> </td>\r\n'
'\t\t\t<td style="text-align:right;"><strong>120' '
'</strong>(interval included)</td>\r\n'
'\t\t</tr>\r\n'
'\t</tbody>\r\n'
'</table>'],
'room': '',
'sponsor_info': 'This concert is supported by<br />\r\n'
'<strong>A FRIEND OF THE FESTIVAL </strong><br />\r\n'
' ',
'start_time_location': [{'location': 'Church Saanen',
'start_time': datetime.datetime(2026, 7, 29, 19, 30, tzinfo=datetime.timezone(datetime.timedelta(seconds=7200)))}],
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'title': 'Gabriela Montero',
'title2': 'Rezital',
'topics': [{'color': '#C8A5FF', 'position': 3, 'title': 'Ladies First'}]}
Gabriela Montero, Piano
| “Freestyle” | |
| Domenico Scarlatti (1685–1757) | |
| Piano Sonata in C-sharp Minor, K. 247 L. 256 (1753) | 5' |
| Padre Antonio Soler (1729–1783) | |
| Piano Sonata in C-sharp Minor, R. 21 | 6' |
| Piano Sonata in G Major, R. 45 | 4' |
| Domenico Scarlatti (1685–1757) | |
| Piano Sonata in G Major, K. 447 L. 294 (1775) | 3' |
| Frédéric Chopin (1810–1849) | |
| Scherzo No. 3 in C-sharp Minor, Op. 39 (1839) | 8' |
| Enrique Granados (1867–1916) | |
| 8 “Valses poeticos” [Poetic Waltzes] (1887) | 12' |
| Isaac Albéniz (1860–1909) | |
| “Triana” from the piano suite “Iberia” (Book II – No. 3) (1907) | 5' |
| --- | |
| Isaac Albéniz (1860–1909) | |
| “Sevilla” from the “Suite española” [Spanish Suite], Op. 37 (No. 3) (1886) | 5' |
| Frédéric Chopin (1810–1849) | |
| Boléro in A Minor, Op. 19 (1833) | 8' |
| Alicia de Larrocha (1923–2009) | |
| “Sueño infantil” [Childhood Dream] | 2' |
| “Minué triste” [Sad Minuet] | 1' |
| Federico Mompou (1893–1987) | |
| “Cançó i dansa” [Songs and Dances] No. 6 (1941) | 4' |
| Isaac Albéniz (1860–1909) | |
| “Eritaña” from the piano suite “Iberia” (Book IV – No. 3) (1909) | 6' |
| Enrique Granados (1867–1916) | |
| “Andaluza” from the 12 “Danzas españolas” [Spanish Dances], Op. 37 (No. 5) (ca. 1890) | 12' |
| Franz Liszt (1811–1886) | |
| Spanish Rhapsody, S. 254 (1863) | 13' |
| 120' (interval included) | |