Ron Maxim Huang ID:
Rezital
Saturday, 25. July 2026
10:30 a.m., Gstaad Chapel
Having emerged from the ranks of the Staats- und Domchor and the Children’s Chorus of the Deutsche Oper Berlin, Ron Maxim Huang has been at home in the world of music from an early age. In Gstaad, he makes his debut with a programme as bold as it is multifaceted – ranging from Liszt’s dizzying Totentanz to an excursion into the music of our own time, represented by Levi Schechtmann. As a composer of the new generation, Schechtmann bridges the great classical legacy with the fresh vibes of the 21st century.
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'and the Children’s Chorus of the Deutsche Oper Berlin, '
'Ron Maxim Huang has been at home in the world of music from '
'an early age. In Gstaad, he makes his debut with a programme '
'as bold as it is multifaceted – ranging from '
'Liszt’s dizzying Totentanz to an excursion '
'into the music of our own time, represented by Levi '
'Schechtmann. As a composer of the new generation, Schechtmann '
'bridges the great classical legacy with the fresh vibes of '
'the 21st century.</p>',
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'\t\t\t<td colspan="2"><strong>Frédéric '
'Chopin</strong> (1810–1849)</td>\r\n'
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'\t\t\t<td>Ballade No. 3 in A-flat Major, Op. 47</td>\r\n'
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'\t\t\t<td colspan="2"> </td>\r\n'
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'\t\t\t<td colspan="2"><strong>Levi Schechtmann</strong> '
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'\t\t\t<td>“Intermezzo for the Moon” (2023)</td>\r\n'
'\t\t\t<td style="text-align:right;">2'</td>\r\n'
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'\t\t\t<td colspan="2"> </td>\r\n'
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'\t\t\t<td colspan="2"><strong>Nikolai Kapustin</strong> '
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'\t\t\t<td>from the 8 Concert Studies, Op. 40 (1984): No. 6 '
'“Pastoral”, No. 1 “Prelude”</td>\r\n'
'\t\t\t<td style="text-align:right;">5'</td>\r\n'
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'\t\t<tr class="rowTotal">\r\n'
'\t\t\t<td> </td>\r\n'
'\t\t\t<td style="text-align:right;"><strong>60' '
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Ron Maxim Huang, Piano
| Frédéric Chopin (1810–1849) | |
| Ballade No. 3 in A-flat Major, Op. 47 | 7' |
| Piano Sonata No. 3 in B Minor, Op. 58 | 27' |
| Franz Liszt (1811–1886) | |
| “Totentanz”, S. 525 | 15' |
| Levi Schechtmann (1999) | |
| “Intermezzo for the Moon” (2023) | 2' |
| Nikolai Kapustin (1937–2020) | |
| from the 8 Concert Studies, Op. 40 (1984): No. 6 “Pastoral”, No. 1 “Prelude” | 5' |
| 60' | |