Zürcher Kammerorchester & Regula Mühlemann ID:
Orchester
Saturday, 18. July 2026
7:30 p.m., Church Saanen
The Lucerne-born soprano Regula Mühlemann returns – this time with a repertoire especially close to her heart and perfectly tailored to her artistry: the arias of Mozart. Her first collaboration with Daniel Hope and “his” Zürcher Kammerorchester is a celebration of family – the great musical family of the Viennese Classicists.
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'description': '<p>The Lucerne-born soprano Regula Mühlemann returns '
'– this time with a repertoire especially close to her '
'heart and perfectly tailored to her artistry: the arias of '
'Mozart. Her first collaboration with Daniel Hope and '
'“his” Zürcher Kammerorchester is a '
'celebration of family – the great musical family of the '
'Viennese Classicists.</p>',
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'\t\t\t<td colspan="2"><strong>Wolfgang Amadeus Mozart</strong> '
'(1756–1791)</td>\r\n'
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'\t\t\t<td>Symphony in D Major, K. 196+121 (207a), “No. '
'51” (1775)</td>\r\n'
'\t\t\t<td style="text-align:right;">10'</td>\r\n'
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'\t\t\t<td>“Voi avete un cor fedele”, concert aria '
'for soprano and orchestra, K. 217 (1775)</td>\r\n'
'\t\t\t<td style="text-align:right;">7'</td>\r\n'
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'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Schon lacht der holde Frühling”, '
'concert aria for soprano and orchestra, K. 580 (1789)</td>\r\n'
'\t\t\t<td style="text-align:right;">8'</td>\r\n'
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'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“L’amerò, sarò '
'costante”, aria for Aminta from the opera “Il re '
'pastore”, K. 208 (1775)</td>\r\n'
'\t\t\t<td style="text-align:right;">6'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“S’altro che lagrime”, aria for '
'Servilia from the opera “La clemenza di Tito”, K. '
'621 (1791)</td>\r\n'
'\t\t\t<td style="text-align:right;">3'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Joseph Haydn</strong> '
'(1732–1809)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Symphony No. 49 in F Minor, Hob. I:49, “La '
'passione” (1768)</td>\r\n'
'\t\t\t<td style="text-align:right;">25'</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowTotal">\r\n'
'\t\t\t<td> </td>\r\n'
'\t\t\t<td style="text-align:right;"><strong>70' '
'</strong></td>\r\n'
'\t\t</tr>\r\n'
'\t</tbody>\r\n'
'</table>'],
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'topics': [{'color': '#C8A5FF', 'position': 3, 'title': 'Ladies First'}]}
Regula Mühlemann, Soprano
Zürcher Kammerorchester
Daniel Hope, Violin & Direction
| Wolfgang Amadeus Mozart (1756–1791) | |
| Symphony in D Major, K. 196+121 (207a), “No. 51” (1775) | 10' |
| “Voi avete un cor fedele”, concert aria for soprano and orchestra, K. 217 (1775) | 7' |
| “Schon lacht der holde Frühling”, concert aria for soprano and orchestra, K. 580 (1789) | 8' |
| “L’amerò, sarò costante”, aria for Aminta from the opera “Il re pastore”, K. 208 (1775) | 6' |
| “S’altro che lagrime”, aria for Servilia from the opera “La clemenza di Tito”, K. 621 (1791) | 3' |
| Joseph Haydn (1732–1809) | |
| Symphony No. 49 in F Minor, Hob. I:49, “La passione” (1768) | 25' |
| 70' | |