Songs From Home – Origin III ID:
Chamber Music
Wednesday, 23. July 2025
7:30 p.m., Zweisimmen Church
Who better to sing the praises of Switzerland’s natural beauty than Lucerne-born soprano Regula Mühlemann? Raised and trained in the heart of the Alps, the internationally renowned opera star brings a heartfelt tribute to the “Songs from Home” with her latest programme – music that stirs the soul and carries a touch of nostalgic charm. Her Sony Classical album boasts a captivating cover, somewhere between the spirit of Heidi and the artistry of Frida Kahlo. In addition to Schubert’s beloved works for duo and trio, enriched by the magical tones of clarinet and horn, Mühlemann shines a spotlight on overlooked gems by composers such as Wagner’s confidant Wilhelm Baumgartner, Fauré’s student Friedrich Niggli, as well as Marguerite Roesgen-Champion, a trailblazing harpsichordist from Geneva.
This concert is supported by a
FRIEND OF THE FESTIVAL
FRIEND OF THE FESTIVAL
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'description': '<p>Who better to sing the praises of Switzerland’s '
'natural beauty than Lucerne-born soprano Regula '
'Mühlemann? Raised and trained in the heart of the Alps, '
'the internationally renowned opera star brings a heartfelt '
'tribute to the “Songs from Home” with her '
'latest programme – music that stirs the soul and '
'carries a touch of nostalgic charm. Her Sony Classical album '
'boasts a captivating cover, somewhere between the spirit of '
'Heidi and the artistry of Frida Kahlo. In addition to '
'Schubert’s beloved works for duo and trio, enriched by '
'the magical tones of clarinet and horn, Mühlemann shines '
'a spotlight on overlooked gems by composers such as '
'Wagner’s confidant Wilhelm Baumgartner, '
'Fauré’s student Friedrich Niggli, as well as '
'Marguerite Roesgen-Champion, a trailblazing harpsichordist '
'from Geneva.</p>',
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'\t<tbody>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Franz Schubert</strong> '
'(1797–1828)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Im Frühling”, D 882</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Franz Schubert</strong> '
'(1797–1828)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Der Knabe”, D 692</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Wilhelm Baumgartner</strong> '
'(1820–1867)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Noch sind die Tage der Rosen”, Op. 24 '
'No. 1</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Wilhelm Baumgartner</strong> '
'(1820–1867)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Du bist wie eine Blume”, Op. 10 No. '
'1</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Wilhelm Baumgartner</strong> '
'(1820–1867)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Ein Stündlein wohl vor Tag”, Op. 10 '
'No. 5</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Wilhelm Baumgartner</strong> '
'(1820–1867)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“An den Abendstern” from '
'“Grüsse aus den Bergen”, Op. 19 (No. '
'2)</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Wilhelm Baumgartner</strong> '
'(1820–1867)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Wenn die Sonne lieblich schiene”, Op. 4 '
'No. 5</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Othmar Schoeck</strong> '
'(1886–1957)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“In der Fremde”, Op. 15 No. 4</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Richard Flury</strong> '
'(1896–1967)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Wandern mit dir”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Emil Frey</strong> '
'(1889–1946)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Junges Mädchen in den Bergen”, Op. '
'49 No. 1</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Richard '
'Langer </strong>(1907-1967)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Edelwyss” from “5 Lieder in '
'Schweizer Mundart”, Op. 31</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Friedrich Niggli</strong> '
'(1875–1959)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Plange” from “Schwyzer '
'Liedli”, Op. 10</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Franz Liszt</strong> '
'(1811–1886)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Au lac de Wallenstadt” for piano from '
'“Première Année de pèlerinage: '
'Suisse” (No. 2)</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Franz Schubert</strong> '
'(1797–1828)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Auf dem Strom” for high voice, horn and '
'piano, D 943</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Anonymus</strong></td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Das alte Guggisberg-Lied”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Marguerite '
'Roesgen-Champion</strong> (1894–1976)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Cette étoile perdue” from '
'“Poétique du ciel”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Marguerite '
'Roesgen-Champion</strong> (1894–1976)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Une jeune fille parle” from '
'“Poétique du ciel”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Walther Geiser</strong> '
'(1897–1993)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>2 Chanzuns rumanzschas [Romanish Songs], Op. '
'19</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Franz Schubert</strong> '
'(1797–1828)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“La pastorella al prato”, arietta for '
'soprano and piano, D 528</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Gioacchino Rossini</strong> '
'(1792–1868)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“La pastorella dell'Alpi” from '
'“Les Soirées musicales” (No. 6)</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Franz Schubert</strong> '
'(1797–1828)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Der Hirt auf dem Felsen [The Shepherd on the Rock], '
'Lied for Soprano, Clarinet and Piano, D 965</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowTotal">\r\n'
'\t\t\t<td> </td>\r\n'
'\t\t\t<td style="text-align:right;"><strong>80' '
'</strong></td>\r\n'
'\t\t</tr>\r\n'
'\t</tbody>\r\n'
'</table>'],
'room': '',
'sponsor_info': 'This concert is supported by a<br />\r\n'
'FRIEND OF THE FESTIVAL',
'start_time_location': [{'location': 'Zweisimmen Church ',
'start_time': datetime.datetime(2025, 7, 23, 19, 30, tzinfo=datetime.timezone(datetime.timedelta(seconds=7200)))}],
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'start_time': datetime.datetime(2025, 7, 23, 19, 30, tzinfo=datetime.timezone(datetime.timedelta(seconds=7200))),
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'title': 'Songs From Home – Origin III',
'title2': 'Chamber Music',
'topics': []}
Regula Mühlemann, Soprano
Tatiana Korsunskaya, Piano
Markus Niederhauser, Clarinet
Konstantin Timokhine, Horn
| Franz Schubert (1797–1828) | |
| “Im Frühling”, D 882 | |
| Franz Schubert (1797–1828) | |
| “Der Knabe”, D 692 | |
| Wilhelm Baumgartner (1820–1867) | |
| “Noch sind die Tage der Rosen”, Op. 24 No. 1 | |
| Wilhelm Baumgartner (1820–1867) | |
| “Du bist wie eine Blume”, Op. 10 No. 1 | |
| Wilhelm Baumgartner (1820–1867) | |
| “Ein Stündlein wohl vor Tag”, Op. 10 No. 5 | |
| Wilhelm Baumgartner (1820–1867) | |
| “An den Abendstern” from “Grüsse aus den Bergen”, Op. 19 (No. 2) | |
| Wilhelm Baumgartner (1820–1867) | |
| “Wenn die Sonne lieblich schiene”, Op. 4 No. 5 | |
| Othmar Schoeck (1886–1957) | |
| “In der Fremde”, Op. 15 No. 4 | |
| Richard Flury (1896–1967) | |
| “Wandern mit dir” | |
| Emil Frey (1889–1946) | |
| “Junges Mädchen in den Bergen”, Op. 49 No. 1 | |
| Richard Langer (1907-1967) | |
| “Edelwyss” from “5 Lieder in Schweizer Mundart”, Op. 31 | |
| Friedrich Niggli (1875–1959) | |
| “Plange” from “Schwyzer Liedli”, Op. 10 | |
| Franz Liszt (1811–1886) | |
| “Au lac de Wallenstadt” for piano from “Première Année de pèlerinage: Suisse” (No. 2) | |
| Franz Schubert (1797–1828) | |
| “Auf dem Strom” for high voice, horn and piano, D 943 | |
| Anonymus | |
| “Das alte Guggisberg-Lied” | |
| Marguerite Roesgen-Champion (1894–1976) | |
| “Cette étoile perdue” from “Poétique du ciel” | |
| Marguerite Roesgen-Champion (1894–1976) | |
| “Une jeune fille parle” from “Poétique du ciel” | |
| Walther Geiser (1897–1993) | |
| 2 Chanzuns rumanzschas [Romanish Songs], Op. 19 | |
| Franz Schubert (1797–1828) | |
| “La pastorella al prato”, arietta for soprano and piano, D 528 | |
| Gioacchino Rossini (1792–1868) | |
| “La pastorella dell'Alpi” from “Les Soirées musicales” (No. 6) | |
| Franz Schubert (1797–1828) | |
| Der Hirt auf dem Felsen [The Shepherd on the Rock], Lied for Soprano, Clarinet and Piano, D 965 | |
| 80' | |
CHF 130/110/70