Beyond – Music Beyond Time ID:
Orchestral Concert
Friday, 05. September 2025
7:30 p.m., Church Saanen
Jakub Józef Orliński is a true force of nature in the world of music. With his ethereal countertenor voice and jaw-dropping breakdance moves, he effortlessly mesmerises audiences, combining elegance with electrifying energy. His remarkable versatility never fails to amaze! Together with the ensemble Il Pomo d’Oro, he takes us on a journey through time, proving that even centuries-old compositions can feel as fresh and powerful as never before.
This concert is supported by
MARIE-CHRISTINE DUTHEILLET DE LAMOTHE
MARIE-CHRISTINE DUTHEILLET DE LAMOTHE
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'description': '<p>Jakub Józef Orliński is a true force of nature in '
'the world of music. With his ethereal countertenor voice and '
'jaw-dropping breakdance moves, he effortlessly mesmerises '
'audiences, combining elegance with electrifying energy. His '
'remarkable versatility never fails to amaze! Together with '
'the ensemble Il Pomo d’Oro, he takes us on a journey '
'through time, proving that even centuries-old compositions '
'can feel as fresh and powerful as never before.</p>',
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'programs': ['<table class="program442hz">\r\n'
'\t<tbody>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Claudio Monteverdi</strong> '
'(1567–1643)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“E pur io torno qui” from the opera '
'“L’incoronazione di Poppea”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Claudio Monteverdi</strong> '
'(1567–1643)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Voglio di vita uscir”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Biagio Marini</strong> '
'(1594–1663)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Passacalio from “Per ogni sorte di strumento '
'musicale”, Op. 22</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Giulio Caccini</strong> '
'(1551–1618)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Amarilli, mia bella” from “Le '
'nuove musiche”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Girolamo Frescobaldi</strong> '
'(1583–1643)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Così mi disprezzate” from “Arie '
'musicali” (Book 1)</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Johann Caspar Kerll</strong> '
'(1627–1693)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Sonata for 2 Violins in F Major</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Barbara Strozzi</strong> '
'(1619–1677)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“L’amante consolato” from '
'“Cantate, ariette e duetti”, Op. 2</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Francesco Cavalli</strong> '
'(1602–1676)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Incomprensibil nume” from the opera '
'“Pompeo Magno”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Carlo Pallavicino</strong> '
'(1630–1688)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Sinfonia from the dramma per musica '
'“Demetrio”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Giovanni Cesare Netti</strong> '
'(1649–1686)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Misero core … Si, si, si scioglia si '
'… Dolcissime catene” from the opera “La '
'Filli”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Antonio Sartorio</strong> '
'(1630–1680)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“La certezza di tua fede” from the dramma '
'per musica “Antonino e Pompeiano”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Giovanni Cesare Netti</strong> '
'(1649–1686)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Quanto più la donna invecchia” from the '
'opera “L’Adamiro”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Giovanni Cesare Netti</strong> '
'(1649–1686)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Son vecchia, patienza” from the opera '
'“L’Adamiro”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Adam Jarzębski</strong> '
'(1590–1648)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>Tamburetta from “Canzoni e '
'concerti”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr>\r\n'
'\t\t\t<td colspan="2"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowComposer">\r\n'
'\t\t\t<td colspan="2"><strong>Sebastiano Moratelli</strong> '
'(1640–1706)</td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowWork">\r\n'
'\t\t\t<td>“Lungi dai nostri cor” from the serenade '
'“La faretra smarrita”</td>\r\n'
'\t\t\t<td style="text-align:right;"> </td>\r\n'
'\t\t</tr>\r\n'
'\t\t<tr class="rowTotal">\r\n'
'\t\t\t<td> </td>\r\n'
'\t\t\t<td style="text-align:right;"><strong>80' '
'</strong></td>\r\n'
'\t\t</tr>\r\n'
'\t</tbody>\r\n'
'</table>'],
'room': '',
'sponsor_info': 'This concert is supported by<br />\r\n'
'MARIE-CHRISTINE DUTHEILLET DE LAMOTHE',
'start_time_location': [{'location': 'Church Saanen',
'start_time': datetime.datetime(2025, 9, 5, 19, 30, tzinfo=datetime.timezone(datetime.timedelta(seconds=7200)))}],
'ticket_links': [{'is_future_event': False,
'sale_started': True,
'start_time': datetime.datetime(2025, 9, 5, 19, 30, tzinfo=datetime.timezone(datetime.timedelta(seconds=7200))),
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'title': 'Beyond – Music Beyond Time',
'title2': 'Orchestral Concert',
'topics': []}
Jakub Józef Orliński, Countertenor
Il Pomo d'Oro
| Claudio Monteverdi (1567–1643) | |
| “E pur io torno qui” from the opera “L’incoronazione di Poppea” | |
| Claudio Monteverdi (1567–1643) | |
| “Voglio di vita uscir” | |
| Biagio Marini (1594–1663) | |
| Passacalio from “Per ogni sorte di strumento musicale”, Op. 22 | |
| Giulio Caccini (1551–1618) | |
| “Amarilli, mia bella” from “Le nuove musiche” | |
| Girolamo Frescobaldi (1583–1643) | |
| “Così mi disprezzate” from “Arie musicali” (Book 1) | |
| Johann Caspar Kerll (1627–1693) | |
| Sonata for 2 Violins in F Major | |
| Barbara Strozzi (1619–1677) | |
| “L’amante consolato” from “Cantate, ariette e duetti”, Op. 2 | |
| Francesco Cavalli (1602–1676) | |
| “Incomprensibil nume” from the opera “Pompeo Magno” | |
| Carlo Pallavicino (1630–1688) | |
| Sinfonia from the dramma per musica “Demetrio” | |
| Giovanni Cesare Netti (1649–1686) | |
| “Misero core … Si, si, si scioglia si … Dolcissime catene” from the opera “La Filli” | |
| Antonio Sartorio (1630–1680) | |
| “La certezza di tua fede” from the dramma per musica “Antonino e Pompeiano” | |
| Giovanni Cesare Netti (1649–1686) | |
| “Quanto più la donna invecchia” from the opera “L’Adamiro” | |
| Giovanni Cesare Netti (1649–1686) | |
| “Son vecchia, patienza” from the opera “L’Adamiro” | |
| Adam Jarzębski (1590–1648) | |
| Tamburetta from “Canzoni e concerti” | |
| Sebastiano Moratelli (1640–1706) | |
| “Lungi dai nostri cor” from the serenade “La faretra smarrita” | |
| 80' | |
CHF 130/110/70/40